Monday, 27 June 2016

Circulation Video


Links for EXPERIMENT THREE: THE BRIDGE Final Submission


Links

Mashup Of 3 Newspaper Articles


18 Sketch Perspectives


36 Custom Textures


The Two Moving Elements


Sketchup Model Dropbox Link (Due to error when uploading on blog by HTML)


Lumion Dropbox Link


4 Real time image captures showing draft lumion enviroment


5 Real time image captures of developed lumion environment 


Extra Images: Required Spaces











The Two Moving Elements


Moving Element 1: The Facade                      





Moving Element 2: The Entrance




*Please note that all descriptions are within the animation videos

Extra images: Required Spaces

Office for General Staff
Meeting Room for Students

Meeting Room for Staff

Office for Academic Staff

Computer Lab

Gallery

Library

Lecture Theatre

Workshop

Studio Space

Research Space

5 REAL TIME IMAGE CAPTURES OF THE DEVELOPED LUMION ENVIRONMENT

Exterior View: North-East, showing moving facade

Exterior View: Focusing on Squarehouse

Birds Eye Site View: Bridging with Squarehouse and School

Exterior View: Depicts how Squarehouse also acts as a public space due to bridging

Exterior View: Courtyard

4 REAL TIME IMAGE CAPTURES SHOWING 2 DRAFT LUMION ENVIRONMENTS






18 Sketch Perspectives


The 36 Custom Textures


The Mashup of Three News Arcticles

Space and place are among the most discussed concepts in architecture. How do we design urban spaces that actively address relationships between public and private spheres? degrees of separation and continuity. rays of light which reveal the realm of shadows; solids which turn out to be voids.  Structure, space and light are fused. And in doing so, they exemplify the types of material and spatial experimentation that are vital to maintaining architecture’s relevance. While space is an open and abstract area, place is not considered as a subjective and abstract concept, it rather is a location or a part of space which obtains its particular identity. Escapes stylistic categories, sometimes touching archetypal levels in experience. How could these concepts be created in architecture? building does not attempt to stand out and compete for visual attention with its flashy neighbours. architecture works with the slow wave motions. Signs of ‘good’ commercial development might typically include open, transparent boundaries between public and private programs. indoor and outdoor rooms conducive to meditation. Rather than providing a safe space to step outside (balcony) or a detachedly framed view of the skyline (window), aggressively invite the outdoors in, thereby producing a heightened sense of spatial continuity.